Jul 10

Came across this article on Beatportal a few days back and found it interesting and informative (not like so many of their other advertisements-disguised-as-articles posts)… If only there was a formula for making hits! All the charts, stats, promotion, and marketing won’t work if the music isn’t what it should be. Well, let me rephrase that: You may be able to pop out a hit or two by hustling but you won’t have any staying power without consistency. How relevant will Ke$ha be in 5 years? That said, it’s just as important to have a good understanding and plan of attack for your marketing. After all, you can have the greatest song in the world, but if nobody knows about it do you really win? I’ll leave the music-making up to you but suggest taking notes on the strategies outlined here ~ djElroy

Becoming ‘One’: Anatomy of a #1 hit

A few weeks ago, Jonas Tempel (Beatport Founder/CEO) and I (Beatport COO Matthew Adell) were asked to speak at the International Music Summit in Ibiza, Spain, presented and organized by Ben Turner and Pete Tong. Ben Turner asked that we speak to the evolving trends we see in the world of retail music for DJs.

We decided to use the opportunity to share our view of the digital music space today, explaining what aspiring artists and DJs can do to stand out, and what steps our most successful artists have taken to make it happen.

We want to share the knowledge that we’ve learned over the years, talk about how we see trends developing, and explain in detail how artists are improving their success on Beatport by taking advantage of new opportunities across the internet.

We’ve built a case study that shows actual data on some marketing strategies that were deployed recently on one particularly successful track. The outfit responsible is a relatively big brand, but the tools they used are largely free and available to everyone. Contrary to what many people believe, hitting #1 doesn’t just come down to being featured in a slide on Beatport. We get between 7,000 and 15,000 new releases a week, and we only have about 32 slots to feature content. Now, I’m not knocking Beatport, because we rock, but getting a slide featured on our homepage actually pales in comparison to what you can do for yourself.

Check out the full story here ~

Jun 29

That DJ Podcast, Episode #7 : You’ve Got A Friend In Me

On This Weeks Episode :

- PCDJ Update
- Fair Share Music
- Ibiza Classics
- Beatport’s Summer Classic Sale
- Guitar Center Sale
- Interview with Nate “DJ Conduit” McIntyre
- Opinion: What is something you know now that you wish you knew when you started DJ-ing?
- Your Feedback

This Week’s Featured Artist :

DJ Izn Collision

This Week’s Links :

thatdjpodcast.wordpress.com

Facebook/thatdjpodcast

twitter/ThatDJPodcast

Jun 10
Danny M @ Vinyl (Photo by djElroy)

Danny M @ Vinyl (Photo by djElroy)

The fourth part of the Digital Music Article…

You can download a PDF here or check out the full article here ~ djElroy

What is a Good Digital Music Strategy?

by Verginie Berger

4 – Do become a geek, be obsessed with your stats

Don’t be afraid to use as many data analysis as possible in order to focus on what will produce the best rates. That way you will be more efficient. You have to analyze every single action, so that you get rid of the less productive ones and improve the others.

Those free data analysis from Google or Soundcloud will show you where people listened to your music thanks to a specific action, where they came from, where they went, if they shared it, bought it and what are their tastes. You should be able to analyze the opening and click rates on your newsletter and email links.

What tools can help: FB Insights: You will know what your fans do on your Fan Page. You will be aware exactly of your impression numbers at specific times. It’s like segmenting per gender, age, country of your fan. To know more: FB Insight.

FB Insight is alright, but in comparison to Google Analytics, it won’t get you far since those Stats are only about fans. So, if you are not afraid to get your hands into the dirt, you will use Google Analytics to analyze your FB stats. Yep, it’s possible. Follow the guide.

FanBridge: Regarded as the best email management tool at present. You’ll be able to appreciate its real efficiency on your email campaigns. Who opens them, who clicks on links, who forwards… Service charged!

ReverbNation: Regarded as the second best email management after FanBridge. It gives you a sort of stats summarize when you log on your account. You will access “All Areas”: how many new fans, daily listenings, widgets uses…

Next Big Sound(free): This free of charge service will track down how millions of fans interact with your music on a daily basis. They will keep a record on the number of plays, views, comments, mentions, etc. on over 400 000 FB, MySpace, Last.fm, Twitter artists… On the top of it, Next Big Sound will send you daily emails to let you know what’s up around you.

Band Metrics: Gives the opportunity to groups / labels / managers to identify its fans, measure their regularity and commitments as well as identifying new markets, tracking down online radio listening and discovering new hypes

Sound Cloud: Online platform. For stocking, saving and sharing your tracks. It also offers widgets as well as gives you access to stats in regard of your tracks. There are many more to try (which I am at present). You will quickly see how you’ll get excited about your stats on your site, charts about your visitors.

Read the rest of this entry »

Jun 9
Lights @ Vinyl (Photo by djElroy)

Lights @ Vinyl (Photo by djElroy)

The third part of the Digital Music Article…

You can download a PDF here or check out the full article here ~ djElroy

What is a Good Digital Music Strategy?

by Verginie Berger

3 – Monetize

Let me give you a tiny advice: It’s great to get an iTunes link on your site, but it’s even better if your visitor can buy directly from your site.

First, because of proximity: (s)he wants to buy from you.

Second, because it might be a compulsive purchase. Don’t get a “chance” to lose him/her by sending him/her on another platform.

Third, not everybody is on iTunes or another platform.

Check out: the last UK study shows that almost 60% of 15-24 years old have no clues about legal platforms. What a shame if (s)he pirates somewhere else when (s)he was about to buy it on your site.xt

Read the rest of this entry »

Jun 5

That DJ Podcast Episode #5: That DJ Podcast Vs. A Glass Door

On This Weeks Episode :

- Pioneer Rekordbox Software
- Professor Dr. Fritz Sennheiser
- Second Annual Product Review Contest with Chauvet
- Audiofile Engineering MIDI Surface
- Projection Mapping
- Bieber Watch
- Chauvet Colorado Fixtures
- Opinion: How and Why Did You Become A DJ?
- Your Feedback

This Week’s Featured Artist :

DJ Steve Martin – www.freshbeat.ca

This Week’s Links :

thatdjpodcast.wordpress.com

Facebook/thatdjpodcast

twitter/ThatDJPodcast

Jun 5

When Bob Lefsetz isn’t shooting from the hip with his naive political/economic diatribes he’s usually got some good (although sometimes hard-to-swallow) insight into the music industry… His newest post pretty much sums things up. Common sense? Sure it is. But it’s too often ignored. ~ djElroy

1. Are you willing to work?

Plan on giving up television.  Nights out with your friends.  Marriage.  Children.
Making it is about sacrifice.  Talent is at best fifty percent, desire is the rest.

2. Can you interact with other people?

Sure, history is laden with abusive rock stars.  But they weren’t abusive at the
beginning.  Hell, Bob Geldof abused programmers at a big radio convention and it
halted the Boomtown Rats’ career in America permanently.  I’m not saying you’ve got
to kiss butt.  It’s just that you’ve got to appear rational.  And you’ve got to be
thankful.  Which brings us to:


3. Show gratitude.

Thank the guy doing radio promotion, or maintaining your Website.  Thank the guy who
opens the door.  People love to help, you’ve just got to pay them in attention.
Sure, if you’re abused, go off on them.  But if someone’s going out of their way to
treat you nicely, to do a favor for you, let them know you’re appreciative.  Labels
have more than one act.  And most successful managers do too.  If you’re an
ungrateful sonofabitch, they’ll focus their efforts on someone else.

Read the rest of this entry »

Jun 4
DJ GHOSH @ Vinyl (Photo by djElroy)

DJ GHOSH @ Vinyl (Photo by djElroy)

The second half of the article from yesterday…

You can download a PDF here or check out the full article here ~ djElroy

What is a Good Digital Music Strategy?

by Verginie Berger

Social Networks

In regard of social media marketing, I don’t agree with many “gurus” who pretend that social networking is the only way to make it as an artist.

In my opinion, it shouldn’t because social media is a fan management extension. Social networking’s purpose is about building a bridge between you and your fans who will then use words of mouth to “promote” you: positively or not.

Therefore, it’s better to look for your fans and build up your online social presence. The main objective is to get your fans on your website. That way they can discover you, share, interact and buy (which is the point actually)…

Read the rest of this entry »

Jun 3
DJ GHOSH @ Vinyl (Photo by djElroy)

DJ GHOSH @ Vinyl (Photo by djElroy)

Great series I picked up from musicthinktank.com – not everything applies to the electronic music industry but it’s still full of advice, knowledge, and good observations… You can download a PDF here or check out the full article here ~ djElroy

What is a Good Digital Music Strategy?

by Verginie Berger

What does it mean to be an artist in 2010? What is a record company? A music company? A recorded music company? How do we define and work on music marketing within an ever-changing environment?

“And what about music?” you might ask me. Surely, music is the core of everything. The artist should be able to offer a type of music in a place where someone will want to listen to it.

Define your objective

First of all, you can’t throw yourself into marketing action, as small as it may be, without defining your objectives beforehand. It doesn’t mean you have to draw a 5 years business plan. But you need to define the results you expect from your action. What is your objective behind your action? Is it to improve your online presence? OK, but what for? Touring? To be signed? Do you want to sell records, products relating to your music (i.e: merchandising), gig tickets? How many? Why are you on Twitter? What are your expectations?

At present, we are witnessing an excess of actions in the music industry. Are there any results at the end of the day? What is the most important key? Time spent on actions or the final results from the actions?

Most people get frustrated with their online results because they confuse tactic and strategy. It seems that they prefer getting into action, even before defining the reason of their actions. My father used to tell me: “A vague objective leads you to perfect stupidity.”

Read the rest of this entry »

Apr 30

Dub Step Bass Design from Andrew Snook on Vimeo.

In this video, Andrew Snook of TronAudio, takes a look at designing a Dubstep Bass in Ableton Live:

I use multiple instruments to construct the sound. I use FM syntheses to create some really interesting tones and movement within the sound.

Apr 3

Came across this on Hypebot and thought it was worth sharing with everyone… Some great insights into the biz, a bit of history, advice, stories, and some practical, common-sense ideas to help you make the most out of what you’ve got. It’s not dance-music specific but the same general “rules”, attitudes, and mistakes are common in all music industries… Download the handbook, it’s free so you’ve got nothing to lose. ~djElroy

Free Music Business Handbook

If you want to get a sense of the minds shaping Berklee’s online school – or if you just want some great free music 2.0 advice – then download this free handbook. Mike King, Dave Kusek of Music Power Network and VP at Berklee, and publishing expert and Berklee instructor Eric Beall tackle essential topics like “Direct-to-Fan Marketing”, “Music Publishing & Licensing”, “Challenges of the Music Industry” and “Music Royalties”.

Download: BerkleeMusic’s Music Business Handbook

Here’s what Bruce Houghton had to say:

“I’ve really enjoyed teaching The Future Of Music for the Berklee College Of Music‘s online arm this semester. I learned a great deal from my students who came from several countries and had a rainbow of perspectives and experiences. (Cell phones are much more important to music marketing and delivery than computers in many countries, for example.) I’ve also heard from a number of Hypebot readers about how much cutting edge yet practical information they learned from the new Online Music Marketing With Topspin course.

(Read Kyle Bylin’s interview with course co-creator Mike King.)”

image from www.berkleemusic.com

New Semester Starts This Monday April 5th

Somewhat to the surprise of those who know me well, Berklee has invited me back to teach The Future Of Music again. The new semester starts this Monday April 5th and you still have time to enroll.  A new semester also means that there’s another chance to take the Topspin course and a plethora  of  other online marketing, music business and music courses.

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