Aug 30

Interview with UK champ, DJ Jeppa

(Source: DJMag.com)

With the spectre of the DMC World DJ Championships looming on Sunday 17th October, DJs from all over the world are surely locked in their basements, perfecting their turntablist arts while wearing nothing but their socks and power underwear. We spoke with the UK Champion, DJ Jeppa, about the competition, his personal DJ philosophy and the best way to fend off a pack of ninjas using vinyls and a man’s raw grit.

What does it mean to you to be representing the UK in the World DJ Championships?
“Representing the UK and being back in the DMC World Championships means so much because I have always thought and dreamed about it happening for years and I just find it amazing that it actually is!”

Who do you think is your biggest competition? Any up-and-comers who you think might surprise us?
“Probably my biggest competition will be the Americans, French and the Japanese. I think the ones to watch out for this year is DJ Mandrayq, DJ Impact, Ligone and DJ Shifftee.”

What can you do that nobody else can? Any tricks up your sleeve?
“I’ve been practicing more body tricks—well, trying anyway! Not so many DJs are doing them these days.”

Could you explain how the DJ Championships work? Are there DJ battles? Is it round robin style? Do you spin to the death? Who judges?
“Okay, there are two competitions in DMC. You have the actual DMC World Final and you have the World Battle for Supremacy! To get to the World Final you have to apply for the regional heats, and you have to be placed first or maybe second to get to the UK final by doing a six-minute routine. Then you have to win the UK to be put in the worlds. When you get to the world final you have to do a three minute elimination round which will be your time to impress the judges! If you are successful you will have six minutes in the world final! For the battle for supremacy, you have two rounds of ninety seconds to beat the competitor!”

What’s the atmosphere backstage like? Tense? Or is there more of a sense of fraternity than we might expect?
“I think for the up-and-coming DJs, it can be nerve-wracking; I’ve been doing it for a few years now so I’m kind of getting used to it. I can remember in 2006 they had the London heat at fabric and we all had to chill in the back room to wait for our names to be called—that was pretty tense.”

Are DJ skills the only important part of the competition, or does personality also play into it?
“Well, I would say it is mainly DJ skills that will get you far in the competition but personality can help too! When I DJ, I try to look confident and try to have good showmanship!”

Are you worried about being sabotaged by any competitors, Nancy Kerrigan-style?
“(Laughs)
No, not really. People do joke about that sort of stuff though. But if anyone wants to try it, they’ll lose.”

Who are you heroes in the turntablism world?
“To name a few, there’s Roc Raida, DJ Tigerstyle, Netic, DJ Rafic, A-Trak and Craze. But I have lots of heroes.”

What advice do you have for aspiring turntablists?
“The only advice I can give is practice practice practice!”

Last one. You’re shopping for groceries at Tesco when you get ambushed by a gang of ninjas, and your only defense is to DJ at a set of turntables that are conveniently located in the frozen foods section. What records do you drop or moves do you pull that will pacify them?

“I would pull ‘Everyboby is Kung Fu Fighting’ by Carl Douglas—the dubstep remix—while beat juggling Michael Jackson’s ‘Beat It’, at the same time as moonwalking around them using vinyls as weapons!”

Aug 15

Stafford Brothers: Summer Mini-Mix

Summer Mini-Mix Tracklist:
1: Tim Green – Old Sunshine (Original mix)
2: Stafford Brothers – Wasted (Original mix)
3: Thomas Schumacher – Taxi (Riva Starr mix)
4: Chris Lake, Marco Lys and Copyright feat Tasita D’Mour – La Tromba Risin’ (Original mix)
5: Nouveau Yorican – Jackit (Original mix)

1. What has been the highlight of 2010 so far?

2010 has had lots of great highlights, and we are only half way there! Doing the Future Music tour nationally in Australia was great, but also touring places like Santo Domingo and France, where we had never been was also amazing. Its crazy one day you are Djing on a beach, the next you are in a snow resort snowboarding and playing some tracks, you can’t really beat it.

2. We LOVE that electronic music is bigger than ever, the time of the superstar DJ seems to be back again – with DJs collaborating with mega stars etc , what’s your take on it all?

We think its all positive for dance/electronic music. It does mean its becoming more commercial, but overall we think that’s good for the industry. Bigger is better!!

3. What have you got coming out for the rest of 2010?

Music wise we have a new single currently out called “Wasted” which is smashing it in the clubs, following that we have a track called “Can’t stop what we started” with Ollie James and Jason Herd.

We have also collaborated with Kris Menace in Germany for a track to be released on ‘We play’ soon, and following that another German release with Dabruck and Klein. So much music coming out, and finally there is a track with our UK brothers the Hoxton Whores, which looks like it will be out in the USA!

4. Tell us something we wouldn’t already know about you both.

Chris is currently the Australian stage diving Champion and he will be competing at the worlds later in the year. Matt cooks an amazing Spaghetti Bolognese.

5. What’s this about you being the stars of your own TV show? Tell all!

Yes we do have a show coming out. It is six episodes, launching in Australia in January and hopefully hitting the rest of the world following that. It’s basically about our lives, and relationships with those around us. Expect to see crazy parties, exotic locations, Djing, extreme sports, music, and the lifestyle that goes with it. We are filming in Europe from late July so pretty crazy!


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Apr 13

We check out Israeli DJ and Producer, Guy J, at our favourite Belgian haunt, La Rocca, where he waxes lyrical on his unique style of Progressive House music and keeping true to his own musical taste.

Guy J has quickly become well known over the past couple of years for driving Israeli house music back to its roots by playing and producing tracks with more melody, and inspired by Israel’s deep musical heritage. He released his first full length artist album, Esperanza (Spanish for love), with Bedrock Records to critical acclaim alongside the support of heavy weights such as Hernan Cattaneo, Sasha and Tiga.

Guy tells us what an influence his biggest champion John Digweed, has been to him and how he has helped him deal with the trials and tribulations of life as man of the moment.

Apr 12

Damn, one of my Top 5 DJs… When will you make it out to Denver?

The last time we saw Roger, he gave us a rundown of his favourite features on the new CDJ-2000s. We now catch up with him in London for his first Release Yourself party for 2010, now in its 10th anniversary year.

Roger is famous for his seven hour sets where he plays the whole night, taking care of the warm-up when he plays to an empty room, to the peak time hours and then the shady after hours, taking us into the middle of the morning.

Roger tells us his plans for the summer for Release Yourself weekly at Amnesia on the terrace on Tuesdays, with Armin van Buuren in the main room, and what surprises he has in store.

The last track in the clip is Roger’s new single “2Gether”, and is out now on Stealth.

Apr 11

Interesting interview from Hypebot hitting on essentials like social media, piracy, and the new music industry… Good read! ~ djElroy

Words by Kyle Bylin (@kbylin), Associate Editor

Over the years, with the rise of file-sharing and social networks, has JMT’s level of involvement with their fans changed at all?  In what ways has their involvement in JMT’s career – their “vested interest” in their art — evolved as well?

Absolutely.  I’m sure you’ve heard a lot of artists talk about the blessing and curse that is file sharing.  For JMT, it has been more of a blessing.  Yeah, they’ve lost sales to illegal file sharing just like everyone else, but the efficiency of those file sharing networks has allowed their music to spread across the world in a way that the physical distribution network never achieved.

Those file-sharing networks are definitely part of the reason why JMT can play a show in front of 2,000 kids in Bogota, Colombia or to a similarly-sized crowd in Bucharest, Romania.  They may have lost a sale, but they have gained new throngs of fans by playing live in places that their music may have never reached without the Internet.  With the improvements in digital distribution, the hope is that file sharers will become supporters.

The rise of the social networks has been a great asset for JMT as well.  Those networks have created unprecedented access for fans to artists and vice versa.  Our business is a customer service business; we care about how the fans feel about the music.  We’re always looking for new ways to interact with the fans, because the fans’ reactions to what JMT is doing musically are a better barometer of their success than SoundScan numbers.  For a long time now, we’ve chosen to measure their success in the fans’ passion for the music rather than Billboard chart positions.

It seems like human nature to root for the underdog.  Fans of independent music are typically a different breed of music fan, because they generally have to work to discover you and they’re actively seeking out music rather than waiting for it to be spoon-fed to them through traditional radio, TV, etc. outlets, so when they discover you they wear it like a badge of honor.  JMT has fans that send them pictures of themselves with tattoos of JMT’s logo or lyrics – they’re literally wearing the music as a permanent badge of honor.  That type of passion isn’t measured by a Billboard chart, but we’re fine with that.  We’ve built a business model that exists outside the gates of that hierarchy.

How open do JMT fans tend to be about their file-sharing habits?

It’s not uncommon for fans to come up to the guys at shows and say, “I’ve downloaded all of your shit.”  It says something about the age that we live in when a fan goes up to one of his favorite artists at a show and feels comfortable admitting to him that for all intents and purposes he “stole” his life’s work.  But, this is the music climate that every artist inhabits these days.  Our hope is that the fans understand that buying from an indie artists is important to keep indie music culture alive.  It’s not just a transaction; it’s a vote of confidence for a different type of music business.

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Mar 4

Great mix and interview I picked up from my boys @TheFatClub … Spread the love!

Lee Mortimer – Klassroom Mix

Persian – Dangerous – Unknown [SJL] 1997
Wildchild – Renegade Master [Hi Life] 1997
Jesse Rose – A-Sided [Dubsided] 2005
Georgie Porgie – Life Goes On (Richard F Remix) [Neo] 2000
Seymour Bits – Bonparapara Attack! [Klakson 2004
Double 99 Vs. Another Level - RIP Alone No More [white] 1997
Derrick Carter – Square Dancing In A Round House [Classic Music Company] 2003
System F – Out Of The Blue (Ferry Crsten Remix) [Tsunami] 1999
Herve – See Me [Dubsided] 2006
Aficionados – Booty Shake [Missdemeanours] 2003
Bizzi – Bizzi’s Part (Booker T Vocal Lick) [Rhythm Series] 1997
Joey Youngman – Cocktails For Two [Fetish] 2004
Derrick Carter – Where You At (Horn-a-pella) [Classic Music Company] 2002
Spiritual South – Green Gold [Afro Art] 2003
Southside Spinners – Luvstruck [AM PM] 1998
Steve Mac – Lovin’ You More (Solid Groove Remix) [Hussle] 2005
Bob Sinclar – Ultimate Funk [Yellow] 1998
Yomanda – Synth & Strings [Manifesto] 1998
Roman Flugel – Ghets Noch (Noch-a-pella) [Skint] 2005
Ramsey & Fen (with MJ Cole) – Style [Bug] 1997
Switch – Get Ya Dub On [Freerange] 2003
Crookers – Just Ghetto [P-House] 2006
DJ Supreme – Tha Wildstyle (Skindeep Remix) [Distinctive] 1997
Layo & Bushwacka! – Love Story [End] 2002
Nick Holder – Bad Girl (Solid Groove Mix) [NRK] 2004
Prince – Head (Stranger Bootleg Remix) [white] 1980

We caught up with Wearhouse Music label head Lee Mortimer who this week released ‘Superman’, his collaboration with Foamo, on Wearhouse. Listen to Lee’s Klassroom mix for Kissy Sell Out, showcasing some of his influences and favourite tracks, while you read.

words by Dickon Stone ~

What are you up to today?

I’m working on a track I’ve been collaborating on with a reggae sound system. We recorded the vocals last night so I’m mixing and arranging them over my backing track. I’m pretty darn excited about it.

The Superman launch is coming up, with a great line-up, it must be exciting to see a lot of fresh producers on the rise, any hot tips for us to look out for, on Wearhouse Music or beyond?

To name but a few new producers… Kill Light, Mimo, Disco Trash Music, Youx, Eats Everything, Melé. All of them are making really great music slightly different to the norm.

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Feb 25

Naples born but London based production and DJ powerhouse Riva Starr has covered breaks, techno and house territory with even a stint making hip hop beats for Italian MTV in his time before landing on his current and most successful incarnation. Creating breaks as Madox and techno as Trouble Soup!! his evolution and dedication is an inspiration to every hard working DJ and producer looking for the right sound. With universal support from all the big house guns and a recent BBC Essential Mix under his belt it’s time to unleash an artist album and take over the world!
Trackitdown caught up with a very excited Riva Starr as his awesome artist album entitled ‘If Life Gives You Lemons, Make Lemonade’ drops on Trackitdown.net. Don’t forget to check it out straight away…

TID: You name London’s after-party scene as an important laboratory for creating your sound and style. How important was road-testing your Riva Starr project in this underground environment and how does London’s party scene shape up now you’re travelling the world over?

RS: I’m mainly a DJ, then a club music producer, so it makes sense to use dancefloors as laboratory for my productions. If it works there then I’m a happy man!

RS: London still plays an important role for my music and DJ evolution, I’m doing less parties now but still very cool with a few planned already for Fabric and Matter later this year.

TID: Before Riva Starr you had a successful career producing other dance projects. How does the spotlight currently on Riva Starr compare and has your experience in previous incarnations helped you manage this rise to fame?

RS: Past projects certainly helped me to build the Riva Starr one. I made a lot of mistakes, wrong choices etc but that’s always going to go on innit!?
Would I change any of the things right or wrong that I’ve done in the past? All the things I’ve gone through have been done with passion and integrity, always trying to follow my taste.

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Feb 9

Get comfy with DJsounds as we embark on a new series of clips, where we catch up with some of the world’s top DJ’s, not in a club, not in a hotel room or backstage at a festival but at their home. We aim to go a little deeper into what makes them tick and their craft.

We kick off with the seminal Dave Seaman. Originally from Leeds, Dave has been DJ-ing for over two decades and started on the decks as a nipper at his school discos. Since his careers teacher told him to have a back-up plan, he’s traveled the world as a DJ several times over; been the editor of Mixmag; and remixed and produced for the likes of Kylie, the Petshop Boys, Take That and U2. He’s also presented on TV and modeled for a Japanese Levi’s campaign!

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Dec 12

Feedback is Icon Collective’s interview show featuring contemporary music producers… tonight in the chair… D Ramirez. Part 2 of 5

Dec 8

Feedback is Icon Collective’s interview show featuring contemporary music producers… tonight in the chair… D Ramirez. Part 1 of 5

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